Location Change!

 

Hello my loyal listeners! I wanted to give you all a little update on what’s been happening with our film production. We’ve had a change of plans regarding our filming location, which has shifted things around a bit. Originally, we planned to shoot in an open field, but since we’re borrowing equipment, gear, and props, we had to adapt to the location approved by the loaner.

The new location is a long road next to a cemetery, which still carries that eerie war vibe we’re aiming for. Even though the cemetery itself won’t appear in the film, the somber atmosphere adds an extra layer of realism. It’s a bit of a setback, though, since the field would’ve offered more versatility for different scenes. We’ll need to get creative with angles and set dressing to make the most of the space.

One of my concerns is safety, especially when using prop guns in an open area. Even though they’re not real weapons, they look very authentic, and we don’t want to alarm any passersby. We’re planning to put up signs and possibly have someone stationed nearby to inform people that filming is in progress. We might even notify local authorities, just in case.

Another issue is the changing weather. It’s been getting colder, and since we plan to film in the evening around 5 or 6, it could get pretty uncomfortable for the actors. The cold might affect their performance or even lead to longer breaks to warm up. We’re considering bringing portable heaters and blankets to keep everyone as comfortable as possible.

The new location’s narrowness might also limit our movement. We’ll need to carefully plan each scene to avoid accidents, especially with the uneven ground. Jaydon suggested doing a walkthrough with the whole team to spot potential hazards and decide where to set up safety markers.

Despite these challenges, we’re staying optimistic. The road has a natural, rugged look that can enhance the war scenes. Plus, the looming trees on either side make the path feel enclosed, almost like a battlefield corridor. It’s not perfect, but with the right lighting and effects, it could turn out better than we imagined.

We also discussed using sound cues to warn the crew when prop guns will be used. That way, everyone knows when to expect loud noises and can prepare accordingly. Safety is a priority, and we want to make sure no one gets hurt or startled during intense scenes.

Another small hiccup is finding a place to store our equipment between scenes. Since we’re out in the open, we don’t want anything getting wet or damaged if the weather turns unexpectedly. We might rent a small tent or canopy for this purpose.

Even though we lost the field, this new location gives us a chance to think outside the box. We can use the natural elements to our advantage, like fallen branches and rough terrain, to add realism to the set. Camilo even offered to scatter extra props to enhance the war-torn effect.

I’m hoping we can capture some powerful sunset shots to add dramatic lighting to key moments. The fading light could add that extra punch to emotional or climactic scenes, highlighting the exhaustion and despair of war. We’ll just need to time everything carefully to get those shots.

The team remains excited, even with the obstacles. We’ve come this far, and everyone is dedicated to making this film the best it can be. Jaydon already started revising the scene layout to fit the new location, so we’re making progress.

We might also use the cemetery as inspiration for set design, even if it’s not in the film. The aged, crumbling look of the area could influence how we weather some of the props and costumes for extra authenticity.

Filming in the cold and managing safety with prop guns adds an extra layer of complexity, but we’re ready to tackle it. As long as we stick together and plan carefully, I believe we can turn this new location into something incredible.